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As a person of color and disability, Bo Kim is very interested in institutional setting and its commitment to diversity and inclusion as a safe place for study, research, and experimentation within the field of art. As an artist-researcher, she wants to be able to express herself without being limited by the pressure, judgment, and prejudice of society. While her artwork is a critique on normativity in institutionalization, she continues to expand her work and research on intersectionality. For research projects, she intends to research the institutional frameworks that surround natural science collections of objects extracted from their motherlands to be stored in museum archives. She re-examines these collections through a critical lens to re-imbue the specimens and artifacts with the inherent value they hold beyond their purpose as specimens and/or objects.
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